Thrutopia

Strange worlds, fungi, and raw landscapes: February 2026 Reading Log

Book Review, Books, Climate Fiction, Creative Non Fiction, Eco-criticism, Fantasy, Science-Fiction, Short Story Collection, Speculative Fiction, Thrutopia

Eve by Una

A gorgeously dark graphic novel. I admired this author already – having read her debut, Becoming Unbecoming, which had a great impact on me. This is her most recent work and far more complex in terms of the art’s rendition. The story is still set in the north of England (where I live). It imagines a bleak near future in which climate collapse and the spread of far-right politics dominate the country. Eve, the main character, is born in the 2020s – a decade of great upheaval – from an English mother and an immigrant father who is a refugee in the UK. The story follows Eve’s upbringing alongside that of two of her closest friends, Si and Ruby.

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New Ideas: January 2026 Reading Log

Book Review, Books, Creative Non Fiction, Fantasy, Graphic Novels, Historical Fiction, Literary Fiction, Queer Literature, Thrutopia

Spent by Alison Bechdel

I love Bechdel’s work so I saved this book as a treat and I read it all on one go during New Year. It didn’t disappoint. The art is incredible detailed as always (specially the cats, look for the cheeky cats in almost every frame!). Also, this time Bechdel treats us to a fully-coloured work which makes the small community she portrays here all the more vibrant.

There’s something distinctive about this book. Whereas a lot of Bechdel’s work is autobiographical (i.e. Fun Home, Are You My Mother? and The Secret to Superhuman Strength) what Bechdel does here is something different. The main character is called Alison and looks exactly like her. Her partner is called Holly and looks exactly like the Holly from her other works who we know is the author’s partner. However, Bechdel classifies this work as fiction from the get go. For example, the Alison of this work became famous after publishing a graphic novel titled Death and Taxidermy about her father who was a taxidermist artist (so, no Fun Home and no father working in the funeral business). She doesn’t have two younger brothers but an older sister called Sheila. And this graphic novel is not written in the first person but in the third person.

I’m intrigued but also excited – and creatively stimulated – by observing these approaches. Coincidentally, I also read another book this month that plays with the boundaries between fiction and non-fiction, Soldiers of Salamis, which I discuss below. But let’s go back to Bechdel’s new work. Spent tells the story of a small community in Vermont in which established graphic novelist Alison and her partner Holly have decided to start a pigmy goat sanctuary. Alison’s work has recently been adapted into a very popular TV series. However, life is not as easy as her friends think: it’s actually excruciating for Alison to see her own life adapted into TV. Also, the publisher who has made an offer for her new work is also involved with some far-right politics that go against everything Alison believes in so she has to decide between her career and her ideals on this next step of her professional journey.

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Best Reads of 2025

Book Review, Books, Climate Fiction, Creative Non Fiction, Crime Fiction, Eco-criticism, Fantasy, Graphic Novels, Historical Fiction, Horror, Literary Fiction, Queer Literature, Science-Fiction, Speculative Fiction, Speculative historical fiction, Thrutopia, Weird Fiction

This was a hard year for me – I was ill for a lot of it which impacted on my reading speed. During the second half of December, however, I decided to consciously stop checking social media and make my life much more analogue. Surprising no one, this was the month I read the most – and also when I mentally felt the healthiest I’ve been in a long while. So this is something I’m hoping to embrace in 2026 – less time in the digital sphere and more time with a book in my hands…

Books that blew my mind:

The Tombs of Atuan by Ursula K Le Guin

Very late to the party with this one, I know, but it’s one of the best books I’ve ever read. Cosmic horror, philosophy and religion. Fantasy at its best. We follow a teenager who has been hailed as the high-priestess of an ancient religion. Who has been educated to believe she’s one of the most important humans on Earth – but actually, does she have any power at all to decide her own fate? The descriptions of the maze of caves under the tombs of Atuan had be dizzy with fear and wonder.

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Futures, the spirit world and bodies: February 2025 Reading Log

Book Review, Books, Climate Fiction, Creative Non Fiction, Eco-criticism, Fantasy, Graphic Novels, Horror, Literary Fiction, Queer Literature, Science-Fiction, Speculative Fiction, Thrutopia

Any Human Power by Manda Scott

This is, probably, one of the books I enjoyed the most this year because I keep thinking about it even months after finishing it. This is a thrutopia, that is, it imagines ways in which we could navigate an uncertain future (considering how things are going right now in 2025, I think we all know what an ‘uncertain future’ feels like).

The start of the book is interesting: we get introduced to Lan, an old woman on her deathbed. Lan is a queer scientist and an English shaman (in that she uses dreams to travel to the ). As she says goodbye to her family, she promises her grandson that she’ll take care of him.

We move forward, and Lan is the Otherworld, enjoying her existence there but somehow unable to cross to the land of the dead as the promise she made to her grandson is somehow keeping her in a sort of limbo (which seems a chill place where she can enjoy wild nature and even the company of a mysterious dog, but still, she’s on her own). Suddenly, she gets pulled back into the world of the living (as a ghost) because her grandson, now a young man, is asking for her help. And from then on, Lan will need to do everything in her power (as a ghost, so she can’t even communicate with the living unless she uses the dreamworld) to save her family, who is about to undergo a perilous time.

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Best Reads of 2024

Book Review, Climate Fiction, Creative Non Fiction, Crime Fiction, Eco-criticism, Fantasy, Graphic Novels, Horror, Literary Fiction, Queer Literature, Science-Fiction, Speculative Fiction, Thrutopia

2024 was another good year for reading – even better than 2023, it turned out. I feel I have successfully developed a good reading habit again and nothing makes me happier these days than sitting down with a coffee and a book to lose myself in it. This year I did a lot of international adventures – including two transatlantic trips (California and NYC), long car journeys into the far north (the Highlands) and the far south (Cornwall) and crossing Europe by train – and books kept me company all along. 

I’ve also realised that many books in this year’s list (almost half) are written by trans and non-binary authors and almostall books are queer in some degree or another – something that I wasn’t necessarily actively pursuing but I suppose reflects some (internal) journey I may have gone through in 2024!

Here is a selection of what I enjoyed the most this past year.

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Thrutopias: May 2024 Reading Log

Book Review, Books, Climate Fiction, Creative Non Fiction, Eco-criticism, Literary Fiction, Queer Literature, Science-Fiction, Speculative Fiction, Thrutopia

None of the Above by Travis Alabanza

This year I’m doing a lot of reading around gender (starting with books I really liked, such as A Real Piece of Work by Erin Riley and Disphoria Mundi by Paul B. Preciado). I was very excited to find this book at the university library because it is written by a non-binary author, which is a perspective I haven’t encountered all that often.

This was an entertaining book I read very quickly, each chapter centring on a specific theme around Alabanza’s experience of transness, queerness and being non-binary. It was thought-provoking – for example, their experience of being harassed in the street because of the way they look was painfully shocking. It made me think of the many ways appearances are policed, specifically when it comes to how appearances fail to fit the idea of ‘womanness’ ingrained in our society. For example, Alabanza’s anguish of showing themselves as someone who is femme but also has hair in their legs or even facial hair reminded me of a similar anguish I feel as someone who is femme and has hair in all these places but is not supposed to show it when being out in public.

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