Creative Non Fiction

On injustice: March 2024 Reading Log

Book Review, Books, Creative Non Fiction, Horror, Nature Writing, Queer Literature, Speculative Fiction, Speculative historical fiction

Toto Among the Murderers by Sally J Morgan

I picked this book because it was intrigued by its premise: it’s partly based on the encounter its author had with the infamous murderers Fred and Rose West in the 1970s. Sally J Morgan was a young girl hitchhiking who decided not to get in their car – but was impacted by the encounter – as she later learned what she had really escaped from.

This novel is about women, the relationships they share, and the sexism and cruelty they faced in 1970s England (which actually, still feels pretty relatable these days).

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A thought-provoking darkness: January 2024 Reading Log

Book Review, Books, Creative Non Fiction, Fantasy, Horror, Literary Fiction, Nature Writing, Queer Literature, Science-Fiction, Speculative Fiction

Caliente (Hot) by Luna Miguel

I learned of Luna Miguel by chance, in one of those late night internet searches which took me to an old blog of hers. I saw that she’d published plenty of poetry but also some non-fiction and became curious. When I was in La Librería de Mujeres (The Women’s Bookshop) – one of my favourite places in Madrid, they recommended this book to me, and so I bought it and read it in a couple of days.

Luna Miguel explores female desire in this book, which starts with her personal experience of going through a divorce after being with a partner (and also married) for many years and having a child in common. What follows is an exploration into self-pleasure, female masturbation and poliamory. It’s interesting to note here that Miguel brings in many other authors and examines their work and their life experiences to develop some of her points.

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On Desolation: December 2023 Reading Log

Book Review, Books, Creative Non Fiction, Fantasy, Horror, Literary Fiction, Queer Literature

Piranesi by Susanna Clarke

What a read.

I picked Jonathan Strange and Mr Norrell when I was twelve or so in the public library (translated into Spanish). It caused a great impression in me, because it wasn’t like any other fantasy book that I had read before –  I’m looking forward to rereading it as an adult in its original language.

Piranesi, on the other hand, didn’t draw me in as much when I first saw it in a bookshop. I remember working at Waterstones when it won the Women’s Prize for Fiction and we were selling heaps and heaps of them. And yet, when I read the blurb, it didn’t sound attractive to me at all – it seemed so vague.

I know, judging a book only by its the blurb. I should know better.

Sure, there are many potential issues and plot gaps in this book but I adored it and I read so fast. One of the most astonishing achievements of this book – which you could call a novella because of its length and the way the plot works – it’s how it manages to suggest such a complex world in very few pages.

Piranesi has something I have a passion for: strange vast and desolate landscapes. I can’t explain it, but I feel attracted to such places, which explains why Abandoned Places is one of my favourite books to look at and chill with a cup of tea.

In Piranesi, most of the plot is set in the House, a building of mammoth proportions composed of halls with impossible tall ceilings. There’s nothing in them but statues of all the things you can possibly imagine, including, for example, a woman carrying a beehive. (Because, why not.) To complete the picture, there is also a sea in the House so now and again, and depending on the tides, some of the halls get flooded. Because of this, there are fish, and sometimes seagulls, and even albatrosses. Apart from that, there are no other beings aside from Piranesi and the Other.

Can you imagine anything more beautiful?

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