Some dark retellings: October 2024 Reading Log

Book Review, Books, Climate Fiction, Creative Non Fiction, Crime Fiction, Eco-criticism, Graphic Novels, Horror, Queer Literature, Speculative Fiction

Diaries of War by Nora Krug

I love Krug’s graphic novel memoir Heimat, which is a fascinating meditation on the value of historical fiction, not only for the descendants of those who have been treated unfairly but also for the descendants of those who perpetrated violent acts or allowed them to happen because they benefited them in some way or another.

It is clear that Krug is interested in the consequences of war and conflict – and how people deal with them. So Diaries of War is a bit of an experiment (and an interesting one at that). Right after Russia attacked Ukraine and a war between these two countries started (an ongoing conflict) she contacted two people she knew from the arts and literary industries. One was a journalist in Ukraine, and the other one was an illustrator in Russia. She proposed them she’d get in touch once a week to ask for updates on their daily lives as the conflict progressed – she’d then illustrate these to create a book that captured perspectives from both sides.

Thrutopias: May 2024 Reading Log

Book Review, Books, Climate Fiction, Creative Non Fiction, Eco-criticism, Literary Fiction, Queer Literature, Science-Fiction, Speculative Fiction, Thrutopia

None of the Above by Travis Alabanza

This year I’m doing a lot of reading around gender (starting with books I really liked, such as A Real Piece of Work by Erin Riley and Disphoria Mundi by Paul B. Preciado). I was very excited to find this book at the university library because it is written by a non-binary author, which is a perspective I haven’t encountered all that often.

This was an entertaining book I read very quickly, each chapter centring on a specific theme around Alabanza’s experience of transness, queerness and being non-binary. It was thought-provoking – for example, their experience of being harassed in the street because of the way they look was painfully shocking. It made me think of the many ways appearances are policed, specifically when it comes to how appearances fail to fit the idea of ‘womanness’ ingrained in our society. For example, Alabanza’s anguish of showing themselves as someone who is femme but also has hair in their legs or even facial hair reminded me of a similar anguish I feel as someone who is femme and has hair in all these places but is not supposed to show it when being out in public.